It also provides an insight into where Coldplay could take their sound post-MX era. Muffled vocals become entirely justifiable when considering the вЂBig BrotherвЂ™ context of the song as вЂњTheyвЂ™ve got one eye watching you, so be careful what you doвЂќ makes Chris MartinвЂ™s description of Mylo Xyloto as a вЂњschizophrenicвЂќ album clearer. вЂMajor MinusвЂ™ shows Coldplay at their edgiest, darkest best, and is perhaps more representative of their rockier live experience. However, unlike with the taster EP released in June earlier this year, the song is greatly enhanced by the preceding simplistic instrumental вЂMMIXвЂ™. The now familiar synth-led song, with itsвЂ™ youthful lyrics and high pitched guitar riff remind us of how long Xyloto has been in the pipeline. The cringe-worthily named lead single вЂEvery Teardrop Is a WaterfallвЂ™ confirms this by showing that they have no issue with breaking away from the mould in which people might like to fit them in. вЂњWe felt so many people had already made their minds up about us, both good and badвЂќ admits drummer Will Champion вЂњ sort of start again from scratch and try to reflect all the music we listen to and loveвЂ™вЂќ. Nevertheless, as the band have pointed out in numerous interviews, itвЂ™s appropriate in describing the bandвЂ™s current mindset. вЂUs Against The WorldвЂ™ brings Coldplay back to their musical roots, and thus would not feel out of place on their debut album Parachutes. That being said, the recently released music video for вЂParadiseвЂ™ may suggest the rule is less stringent now that it once wasвЂ¦ вЂњTook a car down town and took what they offered me, to set me free, IвЂ™ll be glowing in the darkвЂќ exclaims Martin rather uncharacteristically considering this is the rock band who are known for having a self-imposed policy which strictly prohibits the use of hard drugs. Thankfully, the version we are presented with today is less of a church hymn, and more of a hallucinogenic licence for stadium crowds to spring into action. ItвЂ™s certainly hard to comprehend how it was once the focal point of the early acoustic LP initially planned by the band in their North London studios вЂThe BakeryвЂ™ and вЂThe BeehiveвЂ™, and that it originally вЂњfeatured an organвЂќ. BucklandвЂ™s guitar hook throughout is instantly recognizable to the extent that you begin to seriously question whether youвЂ™ve heard it before. However, despite itsвЂ™ obviously lofty pop ambitions, the next track, вЂCharlie BrownвЂ™ is more likely to provide XylotoвЂ™s вЂViva La Vida momentвЂ™.

With itвЂ™s epic strings, R&B influences, piano jigs and ultra-singable lyrics, it now seems to fit comfortably within the repertoire. On reflection, itвЂ™s now difficult to believe how the second single, вЂParadiseвЂ™, was so divisive among fans upon itвЂ™s release. The upbeat nature of the track suggests the band have a newfound spring in their step as jumpy guitars, energetic beats and talk of вЂњspray can soulвЂќ liken it to the post-punk of Echo & the Bunnymen and The Cure.

However, as it blends into вЂHurts Like HeavenвЂ™ itвЂ™s hard to comprehend how even the famously self-depreciating Martin could possibly be apprehensive. Originally planned as a stripped back and acoustic record, the final result is the polar opposite washes of colour, dance beats, synths and electronics show the band moving out of their comfort zone, though the guitar hooks, piano soloвЂ™s and heartfelt lyrics which are so synonymous with Coldplay remain.Д«rian Eno, this time вЂњmore a collaborative writer than a producerвЂќ, stamps his mark of so called вЂњEnoxificationвЂќ on the record from the outset with the opening title track, one of three instrumentals on the album, which according to lead singer Chris Martin involves all four members of the band trying to вЂњplay their instruments as fast as they canвЂќ in order to вЂњshake off any nervesвЂќ at the start of live shows. This time, with the release of the mysteriously named Mylo Xyloto, they certainly explore different musical approaches, but retain an underlying desire to go big.ДЄccording to the band, while the naming of the title is entirely frivolous вЂ“ the criteria being that вЂњit couldnвЂ™t be found in a Google searchвЂќ вЂ“ essentially it documents вЂњloosely a kind of romance in an oppressive environmentвЂќ. To the same extent, Coldplay, the apparent heirs to the Irish rockers, seem to have been justifying a similar position with every output since X&Y in 2005. Robert Smith reviews Mylo Xyloto, the latest offering from Coldplay which looks set to take the world by storm.Д«ono once said during the promotion for All That You CanвЂ™t Leave Behind at the turn of the century that U2 were вЂњreapplying for the job of the best band in the worldвЂќ.

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